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64 단어

정의 언어:: 한국어
  • 1
    chiaroscuronountechnicalformal

    the use of strong contrasts between light and dark (in visual art)

    The treatment of light and shade in painting, especially strong tonal contrasts.

    Caravaggio's dramatic chiaroscuro makes the figures seem to emerge from sheer darkness.

    Caravaggio's dramatic chiaroscuro makes the figures seem to emerge from sheer darkness.

  • 2
    trompe-l'oeilnountechnicalformal

    art that tricks the eye into seeing depth or real objects (illusionistic painting)

    A technique using realistic imagery to create an optical illusion of three dimensions.

    The ceiling is a trompe-l'oeil so convincing that visitors look up expecting open sky.

    The ceiling is a trompe-l'oeil so convincing that visitors look up expecting open sky.

  • 3
    impastonountechnical

    thickly applied, textured paint (painting technique)

    Paint laid on so thickly that brush or knife marks stand out from the surface.

    Van Gogh's heavy impasto gives the sunflowers an almost sculptural relief.

    Van Gogh's heavy impasto gives the sunflowers an almost sculptural relief.

  • 4
    pentimentonountechnicalliterary

    an underlying image revealing the artist's revision (painting)

    A visible trace of an earlier composition showing through a painting where the artist changed their mind.

    An X-ray revealed a pentimento: a second hand the painter had later concealed.

    An X-ray revealed a pentimento: a second hand the painter had later concealed.

  • 5
    patinanounneutralliterary

    a surface sheen or film acquired through age (on sculpture, antiques)

    The greenish or mellow surface acquired by bronze, wood or other materials with age.

    The bronze statue has developed a beautiful green patina over the centuries.

    The bronze statue has developed a beautiful green patina over the centuries.

  • 6
    provenancenounformaltechnical

    the record of an artwork's origin and ownership history

    The documented history of ownership of a work of art, used to establish authenticity.

    The painting fetched millions because its provenance traced back to the artist's own studio.

    The painting fetched millions because its provenance traced back to the artist's own studio.

  • 7
    triptychnountechnicalneutral

    a three-panel artwork (often an altarpiece)

    A picture or carving on three panels, typically hinged side by side.

    The medieval triptych folds shut to protect the gilded saints inside.

    The medieval triptych folds shut to protect the gilded saints inside.

  • 8
    iconographynounformaltechnical

    the symbolic imagery of a subject or its scholarly study (art history)

    The conventional images and symbols associated with a subject, and their study.

    Christian iconography assigns each saint a recognisable attribute.

    Christian iconography assigns each saint a recognisable attribute.

  • 9
    iconoclastnounformalliterary

    someone who challenges or overturns established conventions

    A person who attacks cherished beliefs or established conventions; historically, a destroyer of images.

    As a young iconoclast, he ridiculed everything the academy held sacred.

    As a young iconoclast, he ridiculed everything the academy held sacred.

  • 10
    sfumatonountechnical

    a hazy, smoke-like blending of tones (painting technique)

    The technique of softening transitions between colours and tones to blur outlines.

    The Mona Lisa's elusive smile owes everything to Leonardo's sfumato.

    The Mona Lisa's elusive smile owes everything to Leonardo's sfumato.

  • 11
    pointillismnountechnical

    painting in tiny dots of pure colour (Neo-Impressionist technique)

    A technique of painting in small distinct dots of colour that blend at a distance.

    Seurat pioneered pointillism, letting the eye mix the colours for itself.

    Seurat pioneered pointillism, letting the eye mix the colours for itself.

  • 12
    bas-reliefnountechnicalformal

    low-relief carving raised slightly from its background (sculpture)

    Sculpture in which figures project only slightly from a flat background.

    A frieze of soldiers marches in bas-relief around the temple.

    A frieze of soldiers marches in bas-relief around the temple.

  • 13
    plinthnountechnicalneutral

    the base supporting a statue or column

    The base or pedestal on which a statue or column stands.

    The toppled statue left an empty plinth in the town square.

    The toppled statue left an empty plinth in the town square.

  • 14
    cadenzanountechnical

    an elaborate solo flourish in a concerto (music)

    A virtuosic solo passage, often improvised, near the end of a movement of a concerto.

    The soloist's cadenza drew gasps before the orchestra swept back in.

    The soloist's cadenza drew gasps before the orchestra swept back in.

  • 15
    counterpointnountechnicalformal

    interwoven independent melodies (music); also a contrasting counterpart

    The art of combining distinct melodic lines that sound together; figuratively, a contrasting element.

    Bach's mastery of counterpoint lets four voices sing independently yet in harmony.

    Bach's mastery of counterpoint lets four voices sing independently yet in harmony.

  • 16
    polyphonynountechnicalformal

    many-voiced music with simultaneous melodic lines

    Music in which two or more independent melodic lines are combined.

    Renaissance polyphony can weave six voices into a single shimmering texture.

    Renaissance polyphony can weave six voices into a single shimmering texture.

  • 17
    leitmotifnountechnicalformal

    a recurring theme tied to a character or idea (esp. in opera or film scores)

    A recurring musical theme associated with a character or idea; by extension, a recurring theme in any work.

    Wagner gives each hero a leitmotif that returns whenever they appear.

    Wagner gives each hero a leitmotif that returns whenever they appear.

  • 18
    timbrenountechnical

    the distinctive tone colour of a voice or instrument

    The characteristic quality of a sound that distinguishes one voice or instrument from another.

    An oboe and a flute may play the same note, but their timbre is unmistakably different.

    An oboe and a flute may play the same note, but their timbre is unmistakably different.

  • 19
    atonaladjectivetechnical

    lacking a key or tonal centre (of music)

    Music not written in any key or tonal centre.

    Schoenberg's atonal works unsettled audiences used to tidy resolutions.

    Schoenberg's atonal works unsettled audiences used to tidy resolutions.

  • 20
    recitativenountechnical

    speech-like singing that advances the action (opera)

    A style of delivery in opera midway between speech and song, used to carry the plot.

    The recitative hurries the story along between the great arias.

    The recitative hurries the story along between the great arias.

  • 21
    syncopationnountechnical

    displacement of rhythmic accent onto off-beats (music)

    A rhythmic effect created by stressing the normally weak beats.

    The syncopation in ragtime gives it that irresistible lurch.

    The syncopation in ragtime gives it that irresistible lurch.

  • 22
    fuguenountechnical

    a polyphonic piece built on a theme stated in turn by each voice (music)

    A contrapuntal composition in which a theme is introduced and successively taken up by other voices.

    In a fugue, the subject chases itself from voice to voice.

    In a fugue, the subject chases itself from voice to voice.

  • 23
    arianountechnicalneutral

    a self-contained solo song in an opera or oratorio

    An elaborate solo song with orchestral accompaniment, especially in opera.

    The soprano's closing aria brought the whole house to its feet.

    The soprano's closing aria brought the whole house to its feet.

  • 24
    falsettonountechnicalneutral

    an artificially high singing register (above the natural voice)

    A method of singing in a register higher than the natural voice, used especially by male singers.

    He slipped into a soaring falsetto for the song's final chorus.

    He slipped into a soaring falsetto for the song's final chorus.

  • 25
    vibratonountechnical

    a pulsing variation in pitch that enriches a sustained note (music)

    A rapid, slight wavering of pitch used to add warmth and expression to a note.

    Her warm vibrato made the long held note shimmer.

    Her warm vibrato made the long held note shimmer.

  • 26
    codanountechnicalformal

    a closing passage that brings a work to an end (music); a concluding addition

    A concluding passage of a piece or movement; figuratively, a rounding-off section.

    The symphony's triumphant coda seems to go on forever.

    The symphony's triumphant coda seems to go on forever.

  • 27
    cadencenountechnicalformal

    a harmonic close to a phrase (music); the rise and fall of speech

    A sequence of chords bringing a musical phrase to a close; also the rhythmic fall of the voice.

    The piece resolves on a satisfying perfect cadence.

    The piece resolves on a satisfying perfect cadence.

  • 28
    bildungsromannounliterarytechnical

    a coming-of-age novel tracing a protagonist's growth

    A novel dealing with one person's formative years and moral development.

    Great Expectations is the quintessential English bildungsroman.

    Great Expectations is the quintessential English bildungsroman.

  • 29
    pastichenounformalliterary

    a work imitating another's style (as tribute or medley)

    A work that imitates the style of another artist or period, often as homage or parody.

    The novel is a clever pastiche of Victorian detective fiction.

    The novel is a clever pastiche of Victorian detective fiction.

  • 30
    elegynounliteraryformal

    a poem of mourning or lament (literary form)

    A mournful poem, typically a lament for the dead.

    He wrote a moving elegy for his late mentor.

    He wrote a moving elegy for his late mentor.

  • 31
    odenounliteraryformal

    a formal lyric poem of praise or address

    A lyric poem of elevated style, typically addressed to a person, thing or idea.

    Keats's ode to a nightingale aches with longing for escape.

    Keats's ode to a nightingale aches with longing for escape.

  • 32
    epistolaryadjectiveliterarytechnical

    told through letters or documents (of a novel)

    Of a literary work written in the form of letters or documents.

    Dracula is an epistolary novel stitched together from diaries and letters.

    Dracula is an epistolary novel stitched together from diaries and letters.

  • 33
    hubrisnounliteraryformal

    overweening pride leading to downfall (esp. in tragedy)

    Excessive pride or self-confidence, especially the kind that brings about a tragic hero's downfall.

    The hero's hubris blinds him to the warnings of the gods.

    The hero's hubris blinds him to the warnings of the gods.

  • 34
    catharsisnounliteraryformal

    an emotional purging or release (esp. through drama)

    The purging of emotion, especially pity and fear, experienced by an audience watching tragedy.

    Aristotle saw catharsis as the very point of tragedy.

    Aristotle saw catharsis as the very point of tragedy.

  • 35
    epigraphnounliteraryformal

    an opening quotation prefacing a text

    A short quotation placed at the beginning of a book or chapter to suggest its theme.

    The epigraph from Dante hints at the descent the novel will take.

    The epigraph from Dante hints at the descent the novel will take.

  • 36
    epigramnounliteraryformal

    a terse, witty saying or pointed short poem

    A concise, witty and often paradoxical saying or short poem.

    Wilde could toss off a perfect epigram between sips of tea.

    Wilde could toss off a perfect epigram between sips of tea.

  • 37
    palimpsestnounliterarytechnical

    a reused manuscript showing older text beneath; a layered, much-overwritten thing

    A manuscript reused after earlier writing was erased; figuratively, something bearing visible traces of its past.

    Scholars recovered a lost treatise from beneath the medieval palimpsest.

    Scholars recovered a lost treatise from beneath the medieval palimpsest.

  • 38
    pathosnounliteraryformal

    the power to evoke pity or sorrow (in art or writing)

    A quality in art or speech that evokes pity, sympathy or tender sorrow.

    There is real pathos in the clown's lonely final scene.

    There is real pathos in the clown's lonely final scene.

  • 39
    magnum opusnounformalliterary

    an artist's greatest single achievement

    The greatest work of an artist, writer or composer.

    He laboured for thirty years on what would become his magnum opus.

    He laboured for thirty years on what would become his magnum opus.

  • 40
    roman à clefnounliteraryformal

    a novel depicting real people under fictional names

    A novel about real people and events disguised as fiction.

    Everyone in the literary set read the book as a thinly veiled roman à clef.

    Everyone in the literary set read the book as a thinly veiled roman à clef.

  • 41
    metonymynountechnicalliterary

    naming something by an associated term (e.g. 'the Crown' for monarchy)

    A figure of speech in which something is referred to by the name of an associated thing.

    Saying 'the White House announced' is metonymy for the administration.

    Saying 'the White House announced' is metonymy for the administration.

  • 42
    onomatopoeianountechnicalliterary

    the use of words that imitate their sound (e.g. 'buzz', 'crash')

    The formation of words that imitate the sounds they denote.

    Words like 'hiss' and 'clang' are examples of onomatopoeia.

    Words like 'hiss' and 'clang' are examples of onomatopoeia.

  • 43
    alliterationnountechnicalliterary

    repeated initial consonant sounds (poetic device)

    The repetition of the same initial consonant sound in neighbouring words.

    'Peter Piper picked a peck' is dense with alliteration.

    'Peter Piper picked a peck' is dense with alliteration.

  • 44
    enjambmentnountechnicalliterary

    the running-on of a sentence past the line break (poetry)

    The continuation of a sentence beyond the end of a line of verse without a pause.

    The poet's enjambment tugs you breathlessly into the next line.

    The poet's enjambment tugs you breathlessly into the next line.

  • 45
    stanzanountechnicalneutral

    a verse paragraph or grouped block of lines in a poem

    A grouped set of lines in a poem, separated from others by a space.

    The opening stanza sets the wistful mood of the whole poem.

    The opening stanza sets the wistful mood of the whole poem.

  • 46
    foilnounliterarytechnical

    a character whose contrast sets off another's traits (literary device)

    A character who contrasts with another so as to highlight the other's qualities.

    The cheerful sidekick is a foil for the brooding hero.

    The cheerful sidekick is a foil for the brooding hero.

  • 47
    tropenounliterarytechnical

    a familiar recurring device or convention (in storytelling or art)

    A recurring motif, convention or figurative device in art and literature.

    The brooding orphan hero is a well-worn trope of Gothic fiction.

    The brooding orphan hero is a well-worn trope of Gothic fiction.

  • 48
    mise-en-scènenountechnicalformal

    the staging and visual arrangement of a scene (theatre, film)

    The arrangement of everything that appears in a scene — set, props, lighting, actors — on stage or screen.

    The director's painstaking mise-en-scène makes every frame a painting.

    The director's painstaking mise-en-scène makes every frame a painting.

  • 49
    prosceniumnountechnical

    the framing arch around a conventional theatre stage

    The arch or frame separating the stage from the auditorium in a traditional theatre.

    The actors stepped beyond the proscenium to address the audience directly.

    The actors stepped beyond the proscenium to address the audience directly.

  • 50
    thespiannounformalliterary

    an actor, esp. of the theatre (often slightly grandiose)

    An actor, especially a stage actor (often used with a touch of grandeur or irony).

    The old thespian could silence a room with a single raised eyebrow.

    The old thespian could silence a room with a single raised eyebrow.

  • 51
    deus ex machinanounliteraryformal

    a contrived sudden device that resolves a story's conflict

    An improbable contrivance suddenly introduced to resolve a plot.

    The sudden inheritance feels like a lazy deus ex machina.

    The sudden inheritance feels like a lazy deus ex machina.

  • 52
    fourth wallnountechnicalneutral

    the invisible barrier between stage/screen and audience

    The imaginary barrier between performers and the audience in conventional drama.

    The narrator breaks the fourth wall to wink at the audience.

    The narrator breaks the fourth wall to wink at the audience.

  • 53
    pas de deuxnountechnicalformal

    a duet danced by two performers (ballet)

    A dance for two performers, especially in classical ballet.

    Their pas de deux in the second act is the ballet's emotional climax.

    Their pas de deux in the second act is the ballet's emotional climax.

  • 54
    dilettantenounpejorativeformal

    a casual dabbler in the arts (often disparaging)

    Someone who dabbles in the arts superficially, without serious commitment.

    Real composers resented him as a wealthy dilettante.

    Real composers resented him as a wealthy dilettante.

  • 55
    aficionadonounneutralformal

    a passionate, knowledgeable enthusiast (of an art or pursuit)

    An enthusiastic and knowledgeable devotee of an art form or pastime.

    Only a true opera aficionado would notice that tiny change of tempo.

    Only a true opera aficionado would notice that tiny change of tempo.

  • 56
    vernacularnounformaltechnical

    the local, everyday idiom of a place (language, architecture, art)

    The everyday language or native style of a place; in architecture and art, the indigenous local idiom.

    Dante chose to write in the vernacular rather than in Latin.

    Dante chose to write in the vernacular rather than in Latin.

  • 57
    gravitasnounformalliterary

    weighty seriousness and dignity (of bearing or performance)

    Dignity, seriousness or weight of manner, especially in a performer or artist.

    Few actors could bring such gravitas to the role of the ageing king.

    Few actors could bring such gravitas to the role of the ageing king.

  • 58
    antiquitynounformalliterary

    the ancient past (esp. Greece and Rome); an ancient relic

    The ancient past, especially the classical civilisations; also an object surviving from it.

    The museum's collection of classical antiquity is world-renowned.

    The museum's collection of classical antiquity is world-renowned.

  • 59
    homagenounformalliterary

    an artistic tribute honouring another creator or work

    A work created as a respectful tribute to another artist or work.

    The final scene is a clear homage to Hitchcock.

    The final scene is a clear homage to Hitchcock.

  • 60
    verisimilitudenounformalliterary

    the quality of seeming convincingly real (in art or fiction)

    The appearance of being true or real in art and literature.

    The novel's dialogue has such verisimilitude that the characters seem to breathe.

    The novel's dialogue has such verisimilitude that the characters seem to breathe.

  • 61
    polemicnounformalliterary

    a forceful written or spoken attack on, or vigorous defence of, a position or belief

    A strongly worded attack on or defence of an opinion or position.

    The pamphlet is less a balanced essay than a fierce polemic.

    The pamphlet is less a balanced essay than a fierce polemic.

  • 62
    in medias resexpressionliterarytechnical

    starting a narrative in the thick of the action

    The narrative technique of beginning a story in the middle of the action.

    The epic begins in medias res, with the war already raging.

    The epic begins in medias res, with the war already raging.

  • 63
    synecdochenountechnicalliterary

    a figure where a part stands for the whole or the whole for a part (e.g. 'hands' for workers, 'the law' for a police officer)

    A figure of speech in which a part stands for the whole, or vice versa.

    Calling a car 'a set of wheels' is an everyday synecdoche.

    Calling a car 'a set of wheels' is an everyday synecdoche.

  • 64
    philistinenounpejorativeinformal

    someone scornful of or indifferent to art and culture

    A person hostile or indifferent to culture and the arts.

    He dismissed the exhibition as a waste of money — a confirmed philistine.

    He dismissed the exhibition as a waste of money — a confirmed philistine.

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